Signed By Author

By Justin Power

If the idea of making money from a hobby appeals to you, then you should consider collecting first edition books. Let me give you a real-life example. If you had bought a copy of the Nobel laureate Seamus Heaney’s first collection of poetry, Death of a Naturalist, in 1999 you would have paid less than £300. Today the same book would sell for at least £1,500. Giving you the double satisfaction of owning a valuable, rare and famous book – and of making a 400% profit in under seven years. Nor is this a one-off fluke. Experienced book collectors will tell you that with careful planning it is possible to regularly earn above average returns from this fascinating and enjoyable hobby. However, as with any ‘alternative’ investment, caution is advisable. You shouldn’t invest money you may need back in a hurry or that you can’t afford to lose.

Books become valuable for a variety of reasons. To begin with the author must be in demand. Collectibility is strongly influenced by fashion and circumstances. Immediately after John Banville’s The Sea won the Man Booker Prize first editions of the book – previously available for under £40 – started changing hands for £160 and above. When Francis Coppola made a film of another great Irish classic, Bram Stoker’s Dracula, first editions increased tenfold in value from around £800 to £8,000. Not that a film version guarantees success. First editions of Captain Corelli’s Mandolin by Louis de Bernieres regularly sold for £700 before the film bombed at the box office in 2001, whereas now they barely make half this price.

Interest in an author is not enough. The book itself must be what collectors call a first edition. A best-selling book will be printed many times in different formats. With very few exceptions, the only version that will be of value is the first printing of a book that is offered for sale. Over the years millions of copies of Ulysses have been printed but it is the initial 1,000 run – published on James Joyce’s fortieth birthday, 2nd February 1922, in Paris – that are worth the most money. Furthermore, of this edition, it is the 100 books actually signed by the author that command the highest prices.

Condition is another crucially important factor. If a book has been damaged, repaired or – in the case of modern novels – no longer has its dust jacket, the price will tumble. A signed first edition, on the other hand, will push the value up. This is especially true if there is a connection between the author and the recipient. Interestingly, rarity may have little or no effect on price. Speak to someone who specialises in antique books and you will discover that seventeenth and eighteenth century leather bound volumes, of which few copies may exist, are frequently worth only a few euros. By the same token, a relatively modern book that failed to sell, despite being a first edition and in short supply, is likely to be of no value.

In summary:

Always choose books you will enjoy owning. This way you will never regret your purchase.

Only buy first editions. All other editions are relatively worthless.

Buy the best condition books you can afford. If you are buying new, modern first editions do not read the books. Unread books are worth more.

Remember, rare does not automatically mean desirable.

What sort of books should you buy? Most dealers will advise you to specialise in a particular area. For instance, the value of literature related to medical discoveries is currently on the way up. Twenty years ago an off-print, signed edition of an article written by James Watson and Francis Crick, who discovered DNA, sold for £300. Another one recently came up for sale and made £18,000. I have friends who collect everything from books about the Russian royal family to children’s ‘pop-up’s’ and from modern first editions (relatively inexpensive if you buy when first published) to 19th century travel books. All offer potential for growth. For my own part, I am most interested in twentieth century Irish literature. Many of these authors are still alive (prices tend to increase when an author dies) and although the biggest names such as W B Yeats and Samuel Beckett (whose centenary is this year) are out of my league, a host of others – including Seamus Heaney, William Trevor, Molly Keane, Brian Moore, Flann O’Brien, and the late John McGahern – are still available at reasonable prices.

One final question that needs to be answered is where to buy. I would not, on the whole, recommend the internet. Sites such as Abe Books (www.abebooks.com), which offers more than 70 million volumes from over 13,000 dealers and sells over 20,000 books a day, are not for the inexperienced. Books are frequently described inaccurately and overvalued. Far better to buy at auction (all the major auction houses hold regular sales) or through a reputable dealer. Incidentally, once you know what you are looking for, you may be surprised by how much you can pick up in ordinary second-hand book shops, charity shops and even privately.

Justin Power http://www.powerreport.net

Article Source: Ezine Articles

When I was a child my favourite contemporary writer was, without a doubt, Penelope Lively. Many of her books dealt with ghosts or the supernatural, or played tricks with layers of time; I remember that I was glued to them and would very nearly have devoured them in one sitting if allowed! The Ghost of Thomas Kempe was actually set reading at school, but her other novels were even more thrilling to me. I particularly loved Astercote, with its creepy Black Death storyline, but the one that stuck in my mind most was the mysterious novel The Wild Hunt of Hagworthy. It fascinated me so much so that I'd even done a little research at the local library in Taunton - back in the old days before one could simply do an Internet search - into the possible folk legends that might have inspired it. Some years later, and quite by accident, I came across a postcard featuring a photograph of a late 19th century Abbots Bromley Horn Dancer and instantly recognised the masked figure with stag horns as being very like the mysterious dancers as I'd imagined them when reading Penelope Lively's book.

Fast forward to the summer of 1988. I was a Reading University student but spending the summer in London. Again, quite by accident, I was strolling along Islington Upper Street and had stopped to look in a bookshop window when I noticed a poster advertising a Penelope Lively book signing event for the paperback release of her 1987 Booker Prize winning novel Moon Tiger. In fact – the book signing was happening there and then! I peered into the shop and sure enough, an elegant middle aged woman whom I presumed must be Penelope Lively was sitting at a little table and signing a book for somebody. So, this was my big chance to meet my favourite childhood author... and also ask her about the Wild Hunt of Hagworthy! And how warm and friendly she was as I gushed about how I'd loved her books; she told me how much she enjoyed meeting people who had read her books as children, and patiently answered my questions about a book she'd written years before!

So that's the very personal tale of my first signed by author book. I've posted some scans below of the signed title page and front cover. If you have a book signing anecdote then feel free to post a comment below – I'd love to hear about it!

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